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Hyde of Cherry Bomb, “Find Your Wings” is Dr. On some songs the levels are intentionally off, making it hard to hear Tyler’s voice over tinny beats that sound like when a stylus on a turntable needs to be replaced.Īfter the minute-long speed hit that is “Run,” - featuring a barely recognizable Schoolboy Q - comes “Find Your Wings,” which is a hazy, soulful jam, reminiscent of “Golden Girl,” the Tyler-Pharrell collaboration from Frank Ocean’s much-lauded Channel Orange. vibes are strong right off the bat with “Deathcamp,” which is essentially the evil kid brother of “Lapdance,” and sees Tyler coming out swinging against the “blind ni**as used to make fun of (his) vision,” reminding them that now he “pay(s) a mortage and they stuck with tuition.” This is the vibe for the first part of the album: the songs are hard-hitting and distorted, so much to the point you might think that your speakers are blown if your volume is too loud. And while the mature musical influences are still there, they aren’t just in sample form anymore, with an all-star cast of guests featured on Cherry Bomb (albeit uncredited), including Roy Ayres, Chaz Bundick, Kanye West, and Tyler’s well-publicized hero Pharrell Williams.

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It’s quintessential Tyler, full of f-bombs and n-bombs and offensive metaphors, like when he likens “ni**as leaning” to “Forest Whitaker’s blink.” It’s still entirely self-produced, with Tyler exhibiting a production personality that’s as hyperactive as he himself still appears to be, despite being a 24-year-old man and not a 19-year-old kid anymore. And as appallingly vulgar as his lyrics may have been, there was something playful there too, with couplets like “My mother raised me a single parent so it’s apparent / That I got love for my mother, none of you other fuckers” and “I cut my wrist and play piano cause I’m so depressed / Somebody call the pastor, this bastard is so possessed” displaying his affinity for clever poetry.įast forward to present day and Tyler has just dropped his fourth full-length offering Cherry Bomb, which is a testament to just how much this Bastard has grown up in the past half-decade. There was a hint of it in his deep, commanding voice - one of those voices that seemed born for performance, a mature force that contrasted his temper-tantrum lyrics and production style.

There was a hint of it in his sample choices, which were incredibly mature for a 19-year-old and featured the likes of Dexter Wansel and French jazz funk group Cortex. Many were put off by his excessive use of the N-word and the pejorative insult “f*ggot ” his references to Satan, drugs and the Nazis and his famous declaration that “rape’s fun,” but something special was brewing underneath the shock and awe tactics.

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It’s been over five years since a young artist named Tyler, the Creator burst onto the scene with his self-produced and self-released debut album, Bastard, which he gave out for free on the Odd Future Tumblr.